Classification and Phylogenetic Analysis of African Ternary Rhythm Timelines
暂无分享,去创建一个
[1] Jay Rahn,et al. Turning the Analysis around: Africa-Derived Rhythms and Europe-Derived Music Theory , 1996 .
[2] I. Shmulevich,et al. A system for machine recognition of music patterns , 1998, Proceedings of the 1998 IEEE International Conference on Acoustics, Speech and Signal Processing, ICASSP '98 (Cat. No.98CH36181).
[3] Erik D. Demaine,et al. On flat-state connectivity of chains with fixed acute angles , 2002, CCCG.
[4] Godfried T. Toussaint,et al. A Mathematical Analysis of African, Brazilian, and Cuban Clave Rhythms , 2002 .
[5] Owen Wright,et al. The modal system of Arab and Persian music, A.D. 1250-1300 , 1976 .
[6] A. M. Jones,et al. African Music in Ghana , 1963 .
[7] Gerald J. Balzano,et al. The group-theoretic description of 12-fold and microtonal pitch systems , 1980 .
[8] Jack Douthett,et al. Maximally Even Sets , 1991 .
[9] Kofi Agawu,et al. African Rhythm: A Northern Ewe Perspective , 1995 .
[10] P van Leeuwen,et al. Musical rhythms in heart period dynamics: a cross-cultural and interdisciplinary approach to cardiac rhythms. , 1999, American journal of physiology. Heart and circulatory physiology.
[11] Frank Ruskey,et al. An efficient algorithm for generating necklaces with fixed density , 1999, SODA '99.
[12] J. Becker,et al. Hindu-Buddhist Time in Javanese Gamelan Music , 1981 .
[13] Charlotte Truchet,et al. Computation of words satisfying the "rhythmic oddity property" (after Simha Arom's works) , 2003, Inf. Process. Lett..
[14] Jay Rahn,et al. Coordination of Interval Sizes in Seven-Tone Collections , 1991 .
[15] A. Duncan,et al. Combinatorial Music Theory , 1991 .
[16] Mark Goldstein,et al. On Finding Rhythmic Patterns in Musical Lines , 1985, ICMC.
[17] Prosenjit Bose,et al. COMPUTING SIGNED PERMUTATIONS OF POLYGONS∗ , 2010 .
[18] A. M. Jones. Studies in African Music , 1959 .
[19] Marc Chemillier,et al. Ethnomusicology, Ethnomathematics. The Logic Underlying Orally Transmitted Artistic Practices , 2002 .
[20] T. C. Hu,et al. Generating Permutations with Nondistinct Items , 1976 .
[21] John Varney. Colombian Bambuco: The Evolution of a National Music Style , 1999 .
[22] David Lewin,et al. Generalized Musical Intervals and Transformations , 1987 .
[23] Richard A. Chrisman. Describing Structural Aspects of Pitch-Sets Using Successive-Interval Arrays , 1977 .
[24] Richard W. Hamming,et al. Coding and Information Theory , 1980 .
[25] Neil McLachlan,et al. A Spatial Theory of Rhythmic Resolution , 2000, Leonardo Music Journal.
[26] A. Merriam,et al. Drumming in Akan Communities of Ghana , 1965 .
[27] T. C. Hu,et al. Generating Permutations with Nondistinct Items , 1976 .
[28] Michael Keith. From Polychords to Polya : Adventures in Musical Combinatorics , 1991 .
[29] J. Chernoff,et al. African Rhythm and African Sensibility , 1982 .
[30] Daniel H. Huson,et al. SplitsTree: analyzing and visualizing evolutionary data , 1998, Bioinform..
[31] Jack Douthett,et al. Vector Products and Intervallic Weighting , 1994 .